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Feature film · Belgrade, 1991–1992 · in production

KLOVN

In the last months of Yugoslavia, a once-famous actor works as a clown at children's birthday parties. His closest friend keeps traces of what the state erases, and her husband hides far too much. Their world falls apart faster than the country disappears.

Aaron is making this film with his own savings and the time he has. We've shot 2 of 10 days — the next two need €5,214.

Shot2 of 10 days
Next shootLate November

About the film

The war stays out of frame.

“Klovn” (“The Clown”) is an intimate tragicomedy about people who don't yet know they are living through the last months of a country. They try to hold on to their roles, their compromises, their old loves and the carefully built versions of their own lives.

This is not a classic love triangle. It is a story about a woman, her husband and a man from his past. About a love that could never be spoken. About envy of someone else's courage. About the moment a private life falls apart as fast as the state.

Belgrade, 1991–1992: flats, archives, kafanas, television, radio, state rhetoric — and a man in a clown's nose who, in the end, seems more honest than the whole system around him.

Nebojša putting on a red clown nose

Nebojša Jakšić

Played by Đorđe Kuzmanović

Once a star of the Belgrade stage, now a clown at children's birthday parties. Every morning, to the national anthem, he tries to hang himself, and every morning Nadežda takes him down from the noose. Charming, caustic and mercilessly funny, he performs even at his lowest, as if life can only be endured by turning it into a show.

Nadežda smoking on the balcony

Nadežda

Played by Aleksandra Batinić

She came from Kordun alone, with one skirt and one sweater, and couldn't afford to give up. Today she is an archivist and the wife of a senior official: she wears the loudest blouses in town and knows exactly what to say to whom.

ClassifiedDOSIJE № 1991/07 · kolega KrstićJeremijaFirst stills after the next shoot

Jeremija Krstić

Played by Aaron Levi

Nadežda's husband, “Colleague Krstić”. A model civil servant who straightens crooked notice boards in passing yet never answers a single question from his wife. Cold, silent and unbearably correct: a man who is easy to hate. But in this film, silence always costs more than it seems.

Director's note

“Our psyche longs for stability, but stability doesn't exist. The only stability we can hold on to is our sense of self. It is much harder to hold on to than a piece of paper that says who you are.”

— Aaron Levi

Stills

The first two shooting days

Work-in-progress stills, before final colour grading and post-production.

Belgrade rooftops Nadežda stepping out of a queue A “Stability” poster with “Lie” written over it in red Nadežda on the balcony at night Nadežda and Nebojša on their balconies at night Nebojša smoking on the balcony at night

Behind the camera

Đorđe Kuzmanović on a balcony at night, next to a light The actors on the balcony between takes Đorđe and Aleksandra on the sofa between takes

Where the money goes

One shooting day costs €2,120

The director takes no fee. Every euro goes to the crew, the equipment and food on set.

Crew fees€1,620
Equipment: camera, lighting, grip€375
Transport and food€125
Total per day€2,120

Goal: the next two days

2 shooting days × €2,120€4,240
Props we still need to buy€500
Locations: we shoot in our own flats€0
Contingency, 10%€474
Total€5,214

Shooting schedule

  1. Days 1–2September 2026 · shooting in the flats and on the street — done
  2. Days 5–6Shooting in the archive and the theatre
  3. Day 7Shooting on the street and at the poetry evening
  4. Day 8Shooting in the kafana
  5. Days 9–10Shooting the flashbacks: Belgrade in the 1970s

The costumes are sewn, the sets are built and the actors have rehearsed. All that's missing is money for the shooting days.

How to help

Every bit of help means one more day of shooting

After Alta Bank was shut down, the director was left without a bank account, so donations go to his best friend. We'll publish here what every dinar was spent on.

What your gift does

  • €211% of one shooting day
  • €125Transport and food for the whole crew for a day
  • €375Camera, lighting and grip for a day
  • €500All the props we still need
  • €2,120A whole shooting day

Bank transfer (Serbia)

Bank
Poštanska štedionica
Recipient
ANTON VLASOV
Account
200-0000130699600-54
Reference
Podrška filmu Klovn

The account belongs to Anton Vlasov, Aaron's friend. Aaron's own account at Alta Bank was permanently frozen after the bank went bankrupt.

PayPal

kryzhanovskyanton@gmail.com

Aaron Levi's personal PayPal. For friends outside Serbia.

Copy the address, then paste it into PayPal under “Send”.

Open PayPal

Objects from 1991

Old TVs and radios, newspapers, posters, dishes, telephones, small things from the flats of that time. If they're sitting in your attic or basement, the film needs them.

Message us on WhatsApp

Official payment details are published only on klovnfilm.com. If someone sends you different ones, please let us know.

Reports

After every shoot we publish here how much was raised and what it was spent on. First report: after the late-November shoot.

Director

Aaron Levi

Director, screenwriter and human rights activist. An emigrant from Russia who left because of political persecution. He came to Belgrade three years ago and ran a video production company here. On “Klovn” he is the writer and director, and he plays Jeremija.

A year and a half ago he learned he has stage four cancer. He stopped working for clients and put all his savings into the films he had always wanted to make.

His short anti-war film “No Sides” was shot in Belgrade, in Serbian, with Serbian actors.

Watch “No Sides” on YouTube
Aaron Levi in a cap with the Serbian flag, holding his cat Ceca
Aaron and Ceca

Credits

Writer and directorAaron Levi
Director of photographyLazar Medvedev
NebojšaĐorđe Kuzmanović
NadeždaAleksandra Batinić
JeremijaAaron Levi